<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5672930067296798305</id><updated>2011-04-21T11:31:55.150-07:00</updated><category term='Art'/><category term='Resume'/><category term='Annalee Davis'/><category term='Barbados'/><title type='text'>Resume</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://davisresume.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5672930067296798305/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://davisresume.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Annalee Davis</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://farm3.static.flickr.com/2258/2049999737_5b0643d525_s.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5672930067296798305.post-5177951517118990386</id><published>2007-11-23T08:04:00.000-08:00</published><updated>2007-11-23T08:08:28.523-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Cozr1JzbZFE/R0b6MjcAWqI/AAAAAAAAAEk/DorRt_tKVKc/s1600-h/In+The+Studio.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_Cozr1JzbZFE/R0b6MjcAWqI/AAAAAAAAAEk/DorRt_tKVKc/s400/In+The+Studio.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5136067518640708258" /&gt;&lt;/a&gt;&lt;br /&gt;(at the studio)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5672930067296798305-5177951517118990386?l=davisresume.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5672930067296798305/posts/default/5177951517118990386'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5672930067296798305/posts/default/5177951517118990386'/><link rel='alternate' type='text/html' href='http://davisresume.blogspot.com/2007/11/at-studio.html' title=''/><author><name>Annalee Davis</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://farm3.static.flickr.com/2258/2049999737_5b0643d525_s.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Cozr1JzbZFE/R0b6MjcAWqI/AAAAAAAAAEk/DorRt_tKVKc/s72-c/In+The+Studio.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-5672930067296798305.post-1338536982780400734</id><published>2007-11-19T17:46:00.000-08:00</published><updated>2007-11-19T18:14:35.146-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Resume'/><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><category scheme='http://www.blogger.com/atom/ns#' term='Barbados'/><category scheme='http://www.blogger.com/atom/ns#' term='Annalee Davis'/><title type='text'>ANNALEE DAVIS</title><content type='html'>Walkers Dairy, St. George, Barbados BB19193&lt;br /&gt;Tel (246) 435-1952  Mobile (246) 230-8897&lt;br /&gt;E-mail  annaleedavis@gmail.com&lt;br /&gt;Website www.annaleedavis.com&lt;br /&gt;&lt;br /&gt;&lt;b&gt;SOLO EXHIBITIONS&lt;/b&gt;&lt;br /&gt;2003 –  Evoking a Caribbean, Zemicon Gallery, Barbados&lt;br /&gt;2002  -  Evoking a Caribbean, Art Museum of the Americas, OAS Gallery, Washington,       D.C., USA&lt;br /&gt;2000 -  re/routed, CCA7, Trinidad&lt;br /&gt;1997 - (up)rooted, The Art Foundry, Four Square Factory, Barbados&lt;br /&gt;1990 - Woman Scream Niche, The Barbados Museum, Barbados&lt;br /&gt;1989 - I Wish You Would Hair Me, MFA Show, Rutgers, N.J., USA &lt;br /&gt;1988 - Caribbean Invitational 1, National Gallery of Jamaica&lt;br /&gt; &lt;br /&gt;&lt;b&gt;GROUP EXHIBITIONS &lt;/b&gt;&lt;br /&gt;2007    Infinite Island: Contemporary Caribbean Art, Brooklyn Museum, N.Y, USA. &lt;br /&gt;            Curator - T. Mosaka (catalogue)&lt;br /&gt;&lt;br /&gt;Art For Export, Zemicon Gallery, Barbados  (catalogue)&lt;br /&gt;&lt;br /&gt;Bridgetown -whisperpost - New Media Installation intervention into the capital         &lt;br /&gt;              city of Barbados in collaboration with artists, historians and performers.&lt;br /&gt;&lt;br /&gt;2006     First ACP Festival, Santo Domingo, Dominican Republic &lt;br /&gt;&lt;br /&gt;No Country is an Island – Figures of Freedom in Caribbean (American) Art, Paul               Robeson Gallery, Newark, New Jersey&lt;br /&gt;&lt;br /&gt;Dedicated to the Island – Three Generations of Women Artists in Barbados, Zemicon Gallery, Barbados&lt;br /&gt;&lt;br /&gt;2005     KHOJ International Workshop, Mumbai, India&lt;br /&gt;&lt;br /&gt;2003    Caribbean Realities II–Roots &amp; Routes, Museum of the Americas, S Carolina&lt;br /&gt;&lt;br /&gt; Fresh, National Gallery of the Cayman Islands&lt;br /&gt;&lt;br /&gt; De lo que soy - Of what I am, Lehman College Art Gallery, New York&lt;br /&gt; &lt;br /&gt;2001/02 ARTE di nos e ta, TENT, Rotterdam, The Netherlands &lt;br /&gt; &lt;br /&gt;2001 Big River 2 Workshop Exhibition, CCA7, Trinidad (catalogue)&lt;br /&gt; &lt;br /&gt;Mastering the Millennium: Art of the Americas, Centro Cultural Recoleta, Argentina, and The Art Museum of the Americas, W, D.C. (catalogue)&lt;br /&gt; &lt;br /&gt;Contemporary Collaborations. The Artist &amp; The Master Printer, Sheehan Gallery, Washington State, USA &lt;br /&gt; &lt;br /&gt;Identities - Artists of Latin America &amp; the Caribbean, Passage de Retz, Paris, France (Catalogue)&lt;br /&gt; &lt;br /&gt;30th Festival International de la Peinture, Chateau-Musee Grimaldi,&lt;br /&gt;Cagnes-sur-Mer, France (Catalogue)&lt;br /&gt; &lt;br /&gt;1998 Exclusion, Fragmentacion y Paraiso, Caraibe Insular Museo Extremeno e Iberoamaricano de Arte Contemporaneo, Badajoz &amp; Casa de America, Madrid, Spain. (Catalogue)&lt;br /&gt; &lt;br /&gt;LIPS, STICKS &amp; MARKS, The Art Foundry, Barbados, &amp; The Museum at Fort San Andres, Trinidad.  (Catalogue) An exhibition of works by 7 Contemporary Caribbean Women Artists.&lt;br /&gt; &lt;br /&gt;The Latina Artist. The Response of the Creative Mind to Gender, Race, Class &amp; Identity, Rutgers, State University of New Jersey, USA (Catalogue)&lt;br /&gt;&lt;br /&gt;XII Biennial de San Juan Del Grabado Latinoamericano y Del Caribe, Instituto de Cultural Puertoriquene, Puerto Rico. (Catalogue)&lt;br /&gt; &lt;br /&gt;First Latin American Printmaking Biennial, Nouveau Centro de Arte, The Dominican Republic&lt;br /&gt; &lt;br /&gt;1997/98 Tijuana Banners Salon, Tijuana Cultural Centre, Mexico&lt;br /&gt;&lt;br /&gt; Caribbean Visions, Contemporary Painting &amp; Sculpture, Miami, New Orleans, Washington, D.C. (Catalogue)&lt;br /&gt;&lt;br /&gt;1997 Contemporary Art From Barbados, The Gallery in Cork Street, London, England. (Catalogue)&lt;br /&gt; &lt;br /&gt;Artist Proof Studio, Fringe Exhibition to 2nd Johannesburg Biennial, South Africa&lt;br /&gt; &lt;br /&gt;MACHINATIONS, The Art Foundry, Barbados&lt;br /&gt; &lt;br /&gt;Gold For the Nation, Barbados Gallery of Art, Barbados. (Catalogue)&lt;br /&gt; &lt;br /&gt;1996    3rd Biennial of Caribbean &amp; Latin America, Museum of Modern Art, The &lt;br /&gt;Dominican Republic&lt;br /&gt; &lt;br /&gt;1995 XAYAMACA Workshop Exhibition, Richmond Great House, Jamaica (Catalogue)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1994 22ND Biennial of Sao Paulo, Brazil (Catalogue)&lt;br /&gt; &lt;br /&gt;4TH Biennial of Cuenca, Ecuador (Catalogue)&lt;br /&gt; &lt;br /&gt;2ND Biennial of Caribbean &amp; Latin America, Museo de Arte Moderno, The Dominican Republic&lt;br /&gt; &lt;br /&gt;Karibische Kunst Heute, Kassel, Germany (Catalogue)&lt;br /&gt; &lt;br /&gt;Quinta Biennial de la Habana, Cuba (Catalogue)&lt;br /&gt; &lt;br /&gt;26 Festival International de la Peinture, Chateau-Musee Grimaldi, Cagnes-Sur-Mer, France (Catalogue)&lt;br /&gt; &lt;br /&gt;Family, A Work of Art, Costa Rica &amp; the OAS Gallery, Washington, D.C.&lt;br /&gt; &lt;br /&gt;CARIB ART, a traveling exhibition of contemporary art from the Caribbean; Curacao, The Bahamas, Haiti, The USVI.&lt;br /&gt; &lt;br /&gt;COPYRITE, A Salon Des Refuses, City Centre, Bridgetown, Barbados&lt;br /&gt; &lt;br /&gt;1992 1ST Biennial of Caribbean &amp; Central America, Museo de  Arte Moderno, The Dominican Republic (Catalogue)&lt;br /&gt; &lt;br /&gt;Aquarella Gallery, 3-Person show with C.Cozier and I. Shaw, Trinidad&lt;br /&gt; &lt;br /&gt;ART OVER SUGAR; A Happening, Vaucluse Factory, Barbados&lt;br /&gt; &lt;br /&gt;Un Nouveau Regard Sur Les Caraibes 1492-1992, L'Espace Carpeau, &lt;br /&gt;France, Centre-des-Artes, Guadeloupe, CARIFESTA 5, Trinidad, Casa de&lt;br /&gt;Francia, D.R., 1993, Instituto Cultural Puertorriquena, Puerto Rico&lt;br /&gt; &lt;br /&gt;1990 Selected Works from the Art Collection Foundation, (Barbados)&lt;br /&gt;Museum of Modern Art of Latin America, Washington, D.C.&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;VISITING ARTIST, PANEL DISCUSSIONS &amp; LECTURES&lt;/b&gt;&lt;br /&gt;2006 Visiting Lecturer at The University of Michigan; Montclair State University, &amp;     Paul Robeson Gallery, New Jersey, NYU, New York City &amp; Emory University, Atlanta&lt;br /&gt;&lt;br /&gt;2004 Panelist at Joscelyn Gardner’s solo exhibition, White Skin, Black Kin: Speaking the Unspeakable, An intervention into the Barbados Museum &amp; Historical Society, Barbados&lt;br /&gt;&lt;br /&gt;2003 Visiting Lecturer at Latin American &amp; Caribbean Studies Dept., Emory University, Atlanta, Women &amp; Gender Studies Dept., Rutgers University, NJ, &lt;br /&gt; Art Dept., Montclair University, NJ; &amp; Providence Day School, Charlotte, NC.&lt;br /&gt;&lt;br /&gt;2002    Visiting lecturer at Art Museum of the Americas &amp; Howard University, &lt;br /&gt;Washington, D.C.; Tulane University, New Orleans; &amp; The University of the West Indies, Humanities Week, Barbados&lt;br /&gt;&lt;br /&gt;1999  Panel Discussion on Chris Cozier's solo show "...and he was such a&lt;br /&gt;polite boy", The Art Foundry, Barbados&lt;br /&gt; &lt;br /&gt;1998 Public Lectures on the Lips, Sticks &amp; Marks show, The Art Foundry, &lt;br /&gt;Barbados, Contemporary Caribbean Arts Limited, Trinidad&lt;br /&gt;  &lt;br /&gt;The Authentic Self, with I.Shaw, Trinidad &amp; A.Martinez, Aruba, Contemporary Caribbean Arts Limited, Trinidad&lt;br /&gt; &lt;br /&gt;1997 Contemporary Art in the Caribbean, Museum Africa, Jo’burg, South Africa&lt;br /&gt; &lt;br /&gt;Artist Proof Studio, Johannesburg, South Africa&lt;br /&gt; &lt;br /&gt;A Rutgers Dialogues Innovative curriculum project - Response of the Creative Mind to Gender, Race, Class &amp; Identity, Rutgers University, New Jersey, USA&lt;br /&gt; &lt;br /&gt;Printmaking at the Millennium, an International Project, Boston&lt;br /&gt;Museum of Fine Arts, Boston, Massachusetts, USA&lt;br /&gt; &lt;br /&gt;1993 Art in Barbados &amp; Representing Artists, The Artists' Union, Aruba, The Public Library; Curacao, The Carib Art Symposium, and Trinidad, Aquarella Gallery &lt;br /&gt; &lt;br /&gt;&lt;b&gt;EDUCATION&lt;/b&gt;&lt;br /&gt;1989 - Masters of Fine Art, Mason Gross School of Visual Arts, Rutgers, The State University of New Jersey, USA&lt;br /&gt;&lt;br /&gt;1986 - Bachelor of Fine Art, Maryland Institute, College of Art, USA&lt;br /&gt;&lt;br /&gt;1984/1985 - Mobility Programme, Studio Art Center International, Florence, Italy&lt;br /&gt; &lt;br /&gt;&lt;b&gt;AWARDS - GRANTS&lt;/b&gt;&lt;br /&gt;2005-2006  The Cultural Action Fund Grant – US$25,000.00 to produce a Video-DVD  called ON THE MAP – Understanding the Southern Caribbean Through Migration.&lt;br /&gt;&lt;br /&gt;2002   Grants from the Ministry of Culture, Prime Minister’s Office; Caribbean Export Development Agency &amp; Barbados Investment &amp; Development Corporation; Barbados in support of the Evoking a Caribbean exhibition in Washington, D.C.&lt;br /&gt;&lt;br /&gt;1998-99  Grant from Caribbean Export Development Agency (CEDA) in support of the Lips, Sticks &amp; Marks exhibition&lt;br /&gt; &lt;br /&gt;1997 Grant from CEDA to Support Visiting Artist Project at Artist Proof Studio, Johannesburg, South Africa&lt;br /&gt; &lt;br /&gt;1989 5TH Annual Exhibition &amp; Competition of the ACF: The Award of Excellence, The Mrs. D A Wilson Purchase Award, &amp; The Most Promising Artist Under 27 Years Award, Barbados&lt;br /&gt; &lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5672930067296798305-1338536982780400734?l=davisresume.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5672930067296798305/posts/default/1338536982780400734'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5672930067296798305/posts/default/1338536982780400734'/><link rel='alternate' type='text/html' href='http://davisresume.blogspot.com/2007/11/annalee-davis-walkers-dairy-st.html' title='ANNALEE DAVIS'/><author><name>Annalee Davis</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://farm3.static.flickr.com/2258/2049999737_5b0643d525_s.jpg'/></author></entry></feed>
